I’ve only gotten into Final Fantasy XIV this year, but I can’t think of another game’s music I’ve been so consistently drawn to.
One of my favourite songs in the game is “ Weight of the World – Prelude,” Soken’s reimagining of NieR: Automata’s ending theme used for the final fight of the Nier crossover raid, in which he transforms Keiichi Okabe’s mournful ballad into a bombastic uptempo choral arrangement interlaced with Uematsu’s classic “ Prelude.” The fairy pop of “ What Angel Wakes Me” is sickly sweet and a consistent earworm in our household. “ Sunrise” could seamlessly pass for a shonen anime opening song. “ Metal – Brute Justice” explodes with what sounds like Daft Punk going ska. Where Masayoshi Soken truly impresses is his ability to make every boss fight an excuse to pen an anthem of a different genre. The Twinning dungeon is so heavily associated with the pulse-pounding electro-clash of “ A Long Fall” that it’s regularly memed:
#Final fantasy xiv soken free
When I think of the Great Gubal Library, I remember the lo-fi free jazz of “ Ink Long Dry” as you make your way through halls of ancient tomes. A perfect match for the giant sword-wielding beetle deity’s penchant for screaming “Rejoice in the glory of combat!”Īcross dungeons, raids, and trials, Final Fantasy XIV’s music rarely feels like mere “background,” but rather an essential part of each area’s identity, solidifying it as a distinct memory for the player. As phases shift, sinister waltzing violins give way to thunderous horns and operatic throat singing detailing Ravana’s conquest for blood. She floats ominously overhead, and as soon her heel clicks against your forehead the ice shatters and a sudden drum fill leads into a raucous pop-punk song that wouldn’t be out of place in NANA.Ī similar moment occurs between “ The Hand That Gives The Rose” and “ Unbending Steel” when fighting the insectoid god Ravana. Not an atypical Final Fantasy theme, but then Shiva freezes your party with her trademark Diamond Dust attack. During the first phase, it’s all orchestra, moody piano, and chanting in what I can only assume is Latin. Take “ Footsteps in the Snow / Oblivion,” the dual themes for the primal Shiva. A great example would be the way he implements music into the phases of certain boss fights. Soken often says his primary focus in composing is to enhance the gameplay experience. I’ll never forget the first time I strolled into the Rak’Tika Greatwood and heard those famous words, “La-hëe døh gå râ eví foh la la-hëe.” Consider the smooth elevator jazz of “ Shadows Withal,” the warm dreamy synths of “ Sands of Amber,” or the Cocteau Twins-esque vocals of “ Civilizations” (a song so grand Fahey gave it its own write-up just last week). The snowy city-state of Ishgard’s days are backed by the dueling of lush harpsichord and booming organ in the day theme “ Solid,” which smoothly transitions into the subdued yet haunting harp and guitar solos of “ Night in the Brume.”īut Soken’s atmospheric tracks aren’t limited to only classical vibes. “ Serenity,” a laidback piano melody that effortlessly captures its namesake emotion, plays early in the game as you make your way through a mystical forest. Indeed, there are an incredible 438 tracks on this playlist.Īnd FFXIV’s soundscapes are impeccably tailored to their environments. Having at one point earned a Guinness World Record for having more original songs than any other video game ( Runescape has since claimed that crown), for a time Final Fantasy XIV had gaming’s most expansive soundtrack. There are rare exceptions, like “ Dragonsong,” the heartbreaking theme of the Heavensward expansion, but most of the game’s oversized soundtrack is the work of Masayoshi Soken, a composer who I think deserves to be considered every bit Uematsu’s equal. But in the time since the MMORPG’s second coming as Final Fantasy XIV: A Realm Reborn ( playlist / gameplay / VGMdb), Uematsu has contributed sparingly to the game.
#Final fantasy xiv soken series
When you think of Final Fantasy, one of the first names that comes to mind is long-time series composer Nobuo Uematsu.
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